![]() ![]() On top of that, even entry-level preamps that impart decent openness and presence to the mic are about 300-600 dollars, like the one from ART or the Focusrite ISA One, and those again are at the low end of professional units. Well-designed mics hover in the same range at the low end (for condensers, at least. High quality converters (and I'm not talking about reference grade, just decent ones) come in interfaces that can cost, at a channel count of four or so, 400-800 dollars. I would not recommend the editorskeys package. The rub is that for the price you are paying, a mic with x quality electronics, x quality capsule (the part that captures air vibrations), an x quality preamp, and x quality A-D conversion is jammed into a price that would appeal to a non-professional. ![]() There is also a preamp in there too, allowing the necessary 48 volts of phantom power for a condenser with chargeable plates like the NT1A to work. You are actually going through an interface either way because the microphone has an A-D (analog to digital) converter inside of it, just like a dedicated interface does. ![]()
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